Borderline, Mishell Baker’s debut, was one of the more delightful surprises of 2016–a character-driven urban fantasy that dealt with managing mental illness while also stopping evil fairy plots. Phantom Pains expands on some of the plotlines hinted at in book one–class conflict in the Seelie and Unseelie Courts, and Millie and Caryl’s budding romantic chemistry. When mysterious wraiths start possessing people, and Caryl is framed for murder, Millie must clear her name before Caryl is executed by her employers, the strict Arcadia Project that regulates contact between the worlds.
Baker introduces new memorable characters, like the melancholy and loyal Unseelie king, Winterglass, and a snarky manticore. She also upends plot expectations by having the resolution be a tense negotiated solution rather than a climactic battle. And the interpersonal relationships are complex as ever.
But its frenetic pacing works against Phantom Pains. While it’s an absorbing read, I would have liked more time for the emotional aspects to sink in. With paradigm shifts every few chapters undermining what the characters and readers thought they knew, we spend too much time catching up with the latest twist and not enough time processing with the characters.
Despite this problem, Phantom Pains is a lot of fun (with a bonus Dostoevsky Easter egg towards the end), and I can’t wait to see how the plot and characters develop in the next book, Imposter Syndrome.
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